Download Digital Sheet Music of Malcolm Arnold for Orchestra

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Malcolm Arnold
Not classified 16

Piano & keyboards
Piano solo 15
Piano, Vocal and Guitar 3
1 Piano, 4 hands 1

Guitars
Guitar 1
Melody line, (Lyrics) and Chords 1

Voice

Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 5
Saxophone (band part) 2
Clarinet Quintet: 5 clarinets 2
Saxophone Quartet: 4 saxophones 1
Clarinet 1

Flute 1
Oboe, Piano (duet) 1
Clarinet Quartet: 4 clarinets 1

+ 3 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 1

Strings
Harp 1

Percussion & orchestra
Orchestra 1

String Orchestra 1
Concert band 1

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Malcolm Arnold

Orchestra

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1 sheet music found

Tombland Fanfare

Tombland Fanfare #Orchestra #ADVANCED #Contemporary #Eoin Buchanan #Tombland Fanfare #7plc Music #SheetMusicPlus

Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Mu...(+)

Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.

$35.00 ≈ 32.65€